East Carolina University School of Art and DesignGreenville, NC
WEDNESDAY,
October 3rd
2012
10:00AM-
3:00PM
Mold
Making Workshop Room: 135
By
Hanna Jubran
No
Mold Making on Friday October 5th
IMPORTANT!!!
To participate in the mold-making workshop for the iron pour, you
must arrive to make your pattern by 10AM Wednesday, October 3, 2012.
Materials:
$12.
Per 100# bag of sand includes catalyst and resin.
$3.
Per pound for wax or you can bring your own wax pattern.
1#
of wax = 10# of iron
Your
wax pattern should not exceed
10# of wax
You
may bring your own iron. Everyone
who wants to cast a pattern must break the equivalent amount of iron
themselves before the iron pour.
$1.00
dollar per pound of iron, unless you supply your own.
Please
– we are short on iron...if possible bring pipes, radiators, sinks
etc.
**We
also have pre-made scratch molds available for the iron pour at $10
and $15 each which includes iron.
THURSDAY,
October 4th
2012
12:00PM-4:00PM
Registration- Jenkins Fine Arts Center (foyer between Gray Gallery &
Speight Auditorium)
FRIDAY,
October 5, 2012
8:00AM-12:00PM
Registration- Jenkins Fine Arts Center (foyer between Gray Gallery &
Speight Auditorium)
9:00AM-10:30AM
Room: 225
Feel
Good Yoga for Sculptors
By
Julia Stout
Style (Yin
& Yang/feminine and masculine) 1 1/2 Hr. Class, relax with
guided meditation at beginning and end, stretch, flow to awaken a
deeper part of yourself; We will look deeper at strength and what
opens those tight places. How do we deal with success and failure as
artists? What feels open, what feels closed? Wear
loose-layered comfortable clothes, bring blanket, yoga mat or heavy
towel, anything that will make you feel comfortable. Do not eat or
drink much two hours before class, if you can. Shanti/peace is what
this class promises…….
9:00AM-10:00AM
Room: 1326
Title:
Franconia Sculpture Park: Internships and Residencies
By
Virginia Tyler
Virginia
Tyler (a professor at St. Augustine's University in Raleigh, NC) was
a Hot Metal Artist for the iron pour at Franconia Sculpture Park in
Minnesota this summer. Andrew Davis (a graduate student at Winthrop
College, SC) and Taylor Browning (an undergraduate art major at
UNC-G) were Interns. They will talk about the residency and
internship experiences, and provide contacts for other members.
10:00AM-11:00AM
Room: 1326
Health
and Safety in the Arts
By
Phil W. Lewis, CSP
Assistant
Director
Environmental
Health & Safety
East
Carolina University
Artists
encounter many of the same hazards found in industrial settings.
It is critical that artists know the hazards they will encounter and
how to protect themselves from harm. This presentation will
explore the acute and chronic health hazards encountered by artists
as well as control measures they can utilize. We will discuss
the common materials found in the art studio, how to identify the
hazards associated with those materials, risk factors and effects of
exposure, and control measures to minimize exposure.
10:00AM-12:00PM
Room: 133
Eastern
Papermaking and its Sculptural Applications
By
Andi Steele
Eastern
Papermaking and its Sculptural Applications
In
this workshop we will:
•Discuss
the preparation and cooking of kozo plant fiber
•Beat
the kozo fiber
•Pull
sheets of paper using Eastern style sugetas
•Apply
sheets of paper to armatures and cast paper into plaster molds.
Workshop participants are invited to bring a small armature and/or
mold to use in the workshop.
**Papermaking
is a wet process. Dress accordingly.**
11:00AM-12:00PM
Room: 1326
The
Grants, Public Art and the Role of the North Carolina Arts Council
By
Jeff Pettus, Senior Program Director for Artists & Organizations,
North Carolina Arts Council
This
presentation will cover grants, public art and other artist
opportunities in North Carolina, tips for submitting stronger
applications, the importance of having your materials and portfolio
correct, how artists can assist and improve the process, how artists
can improve the arts in North Carolina and the role of the arts and
the North Carolina Arts Council in education and economic development
within the state.
1:00PM-2:00PM School of Art Wood Shop
Bending Wood with Steam
By Gerald Weckesser
The ability to alter the grain direction of wood as our imagination dictates while preserving the strength inherent in a straight piece of wood allows us to create the strong beautiful forms. Gerald Weckesser will demonstrate methods of steam bending wood as elements of sculpture. Wood selection, drying forms, steam box requirements, and bending systems will be discussed and demonstrated.
Tig
Welding Demo
By
Kevin M. Vanek
TIG
application for the sculptor. TIG (Tungsten Inert Gas); this
process grants the operator greater control over the weld than
competing processes such as STICK and MIG welding, allowing for stronger, higher quality welds. The demo will cover
basic TIG welding process
including how to set up a TIG machine for use along with proper metal
preparation. Demonstrations will be given for proper welding
technique of basic material such as steel (stainless and mild),
aluminum, bronze and iron.
2:00PM-3:00PM
Room: 1326
Hot
Glass in the Sculpture Studio
By
Mac Metz
This
discussion will focus on the use of glass in the field of modern
sculpture. Beginning with a brief
history
of the modern studio glass movement and it’s growing place in the
art world at large. The discussion will then go on to cover studio
set up, the equipment, different methods of using glass as well as my
own history and experience with the material. Glass is an emerging
medium in the field of modern sculpture and much of it’s potential
is left untapped. Hopefully, attendees will go away with a better
understanding of the material, it’s place in sculpture and where
hot glass studios are available for them to use. See you at the
conference!
3:00PM
– 4:00 PM Room: 1326
Doing
what you can with what you have: An effort towards an ecologically
sustainable foundry.
By
Christian Benefiel
As
temperatures rise along with costs and resources dwindle, some
artists are faced with the possibility of cutting metalworking out of
their studio practice. Sustainability does not have to be a novelty,
in many cases today it can be the most efficient approach. We will
look at alternative methods of building metal casting facilities,
using a variety of fuel sources, molding techniques and studio
practice which can help save your health, money and environment.
3:00PM-4:30PM
Room: ECU Innovation Design Lab – Willis 202
Rapid
Prototyping and 3D Printing
By
Wayne Godwin
Accommodations
for 8 –10 people in the Innovation Design Lab. Visit the ECU
Innovation Design Lab and participate in a discussion of the use of
photographic techniques to replicate sculptures with Rapid
Prototyping. Rapid Prototyping is used to quickly fabricate
a scale model of a physical part or assembly using three-dimensional
computer aided design. The replication process will be demonstrated
using the famous “Bronze Bruce” statue, which represents the
US Army Special Forces in Fort Bragg, NC. It starts with a series of
photographs that are converted into a digital 3Dfile that is refined
by a character artist with digital tools (ZBrush). The files are then
converted into stereo files (STL) that are checked for “water
tight” construction and texture maps. Then the files are sent
to the rapid prototyping for production using the ZCorp z450
machine.
3:00PM-4:30PM
sculpture courtyard
Intro
to Blacksmithing-
By
Phillip Harrison
A demonstration on Forging
Leaves & Animal Heads of various types. Starting with either bar
stock or prepared weldments, leaf and stem forgings will be
demonstrated including techniques on joinery, blending, welds and how
to's on how fabrications end up looking less"Fabricated"
and more Unique.
5:00PM keynote Address – James
Surls
6:00PM-8:00PM Closing Reception of
The Tri-State Sculptors Exhibit in School of Art Gray Gallery and ECU
Sculpture Students Exhibition in the Burrough’s Wellcome Gallery
SATURDAY, October 6, 2012 9:00AM-2:30PM De-Installation of Tri-State Sculptors Exhibit from Gray Gallery
9:00AM-10:30AM
School of Art Auditorium
Panel
Discussion: Exploring or Exploiting the boundaries of Public
Sculpture
Panelists:
Hanna Jubran - Moderator
James
Surls, Carl Billingsley, Tom Grubb, Jim Gallucci
Panelists
present the artists viewpoint when applying for public sculpture and
how they can play a significant role to push the boundaries and
rights of the artists. What are the rules they have to play in this
complex system of committees, regulations and politically correct,
while still being creative?
10:30
– 12:00PM School of Art Auditorium
Outdoor
Sculpture Competitions Panel
Panelists:
Candy
Snodgrass from Bristol, TN.
Anne
Trebue Nelson from N. Charleston, SC.
Elizabeth
Breeden from Charlottesville, VA.
Catherine
Coulter-Lloyd from Rocky Mount, NC.
1:00PM-2:00PM
Room 1326
Slide
Presentations- open to all Tri-State Members
5
images each, ready to download to Mac Computer (jump drive or CD)
1:00PM-4:00PM
Sculpture Courtyard
IRON
POUR-Please have your molds ready. No mold making on Friday
By
Carl Billingsley
1:00PM-2:00PM
Welding Studio
MIG
Welding Workshop and Demo:
By
Matt Harding
MIG
(Metal Inert Gas) welding is an easy and efficient method for welding
various metals and alloys. This demo will cover basics of this
process and the MIG machine, providing technical tips/tricks for
structurally sound welds well-suited for sculpture.
2:00PM-3:00PM Room: 133
Intricate Mold Making and Casting Workshop for Students
By Chris Wooten
This
workshop will demonstrate techniques used to mold and cast intricate
pieces on a small scale. Participants will be introduced to mold
making and casting techniques using silicone rubber and urethane
casting resin.
Topics
that will be covered are the following:
-Basic
casting fundamentals
-Preparation
of work for casting
-Proper
venting and gating of work
-Silicone
rubber and vacuum degassing
-Jeweler’s
cut mold opening
-Urethane
resin and pressure casting
-Clean
up and preparations of urethane casting for applying finish
8:00AM
- 9:00AM COFFEE AND PASTRIES Room 1326
9:00AM
Business Meeting for Tri-State Members
All
Tri-State members are encouraged to attend this very important
meeting! This is your opportunity to learn about and contribute to
the work of our volunteer-run organization. Issues to be addressed
include a review of TSS business from board officers and member
voting to fill board vacancies. Please see enclosed business meeting
agenda in your conference packet from our President Jim Gallucci.
Questions
or concerns contact - Hanna Jubran 252-328-1303 jubranh@ecu.edu
For more information about what Tri-State is go here: http://www.tristatesculptors.org/
ReplyDelete