I recently installed this sculpture at the Maria V. Howard Imperial Art Center in Rocky Mount, NC as part of the Salmagundi XIX Outdoor Juried Exhibition. I made the sculpture as part of my thesis back in 2011. The figures are cast aluminum and the bases are steel, they have been powder-coated. I cast and powder-coated these personally while in graduate school at East Carolina University.
Every time I exhibit this sculpture I get lots of questions about its meaning. Usually people are concerned with the intestinal tract coming from the man's groin and entering the top of his head. It's time to clear up the air a little bit. I have copied the explanation of the piece straight from my thesis document at the bottom of this blog entry. Basically that pink business is his inner essence being unleashed or "un-coiled" through yoga practice.
I also added progress photos.
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| Uncoiled Kundaurasana Installed at Rocky Mount |
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| My model: Sculptor James Dudley |
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| James' lower half in wax and with sprues. |
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| The cast aluminum figures before paint. Note the chalk on the sidewalk, that's my sketching of base ideas. |
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| The first round of powder-coat, this is a burnout kiln I'm using to bake them in. They are baked at 400 degrees and the powder is magnetically charged onto the aluminum. |
Excerpt from my thesis entitled: TANGIBLE
EMANATIONS.
Uncoiled Kundaurasana
This cast aluminum
sculpture is of a muscular yet rotund man in an awakened state
brought on by yoga postures. He stands in an asana that
connotes power and grace as in the previous piece, Coiled
Kundaurasana, but with the addition of a scalloped serpent-like
shape connecting the top of his head with the base of his spine.
This additional appendage to the figure combines the idea of an
external aura with the idea of an internal kundalini to make a
unique emanation. Kundalini is believed to be an
unconscious libidinal force which is coiled like a snake at the base
of the spine. It is believed to be a corporeal energy that can be
unleashed through advanced training in yoga or meditation. With this
sculpture, kundalini is imagined as uncoiling and emanating
from the figure like an aura. The neon pink emanation references the
inside of his body, where kundalini is thought to lie, and the
unnatural color that does not exist in the human body.
Kundaurasana
in the title is an invented word, derived from three words,
kundalini, aura, and asana. This is appropriate
because this sculpture depicts these three things in synthesis. In
the postural yoga tradition, it is common for names of postures to be
compound words in Sanskrit usually ending with asana. For
example; balasana: bal means child and asana
means posture. So the meaning I attribute to the term Kundaurasana
is a kundalini aura posture.
I have chosen an
unrealistically dark coloring to portray that this is not the
figure’s actual skin color. Not only does the black have rainbow
glitter contained within it, but it is highlighted by a saffron.
Saffron is a sacred color in Hinduism, as well as in Tibetan
Buddhism. It is the color used for Tibetan Buddhist monks’ robes
and ceremonial head covering. These saffron highlights, along with
the neon pink kundalini and the cloud-pedestal he stands on,
are meant to denote a powerful spiritual moment.
